Katie Hofstadter

a few words

“Superradiance,” cowritten with Memo Akten, accepted and forthcoming at NeurIPS, 2025

“Externalizing Imagination,” cowritten with Memo Akten, forthcoming in AI, Visual Arts and the Law, Routledge Press

Sasha Stiles on How Technology Renews our Relationship with Storytelling, Art Basel Stories, 2024

AI | ALTERNATIVE INTENTIONS: Leading artists and thinkers raise the stakes in the great AI debate, Right Click Save, 2025

  • A book opened on a wooden desk. The book is called Right Click Save: The New Digital Art Community. The book is open to the essay entitled Bodies on the Blockchain, by Katie Peyton Hofstadter. On the right-hand page, the title of the essay is printed in white on a black background. On the left page is printed a still from The White Male Artist Manifesto, by White Male Artists AKA Cassils
  • A book with a black cover on a wooden desk. In silver leaf, the title reads: Right Click Save: The New Digital Art Community, edited by Alex Estorick.
  • Image in a book opened on a wooden desk with a pothos plant. The image is $HTCOIN by White Male Artist AKA Cassils, in the essay Bodies on the Blockchain. The book is entitled Right Click Save: The New Digital Art Community, edited by Alex Estorick.
  • Image in a book opened on a wooden desk with a pothos plant. The image is ötzi by Nicole Wilson, in the essay Bodies on the Blockchain. The book is entitled Right Click Save: The New Digital Art Community, edited by Alex Estorick.
  • Image in a book opened on a wooden desk with a pothos plant. The image is Network of Self by Lans King, in the essay Bodies on the Blockchain. The book is entitled Right Click Save: The New Digital Art Community, edited by Alex Estorick.
  • Right Click Save: The New Digital Art Community, edited by Alex Estorick. The book is opened to a red page with a white headline, Curating in Post-Reality
    Right Click Save: The New Digital Art Community, edited by Alex Estorick. Curating in Post-Reality, by Jesse Damiani
  • Image in a book opened on a wooden desk with a pothos plant. The image of of Biosphere 2 depicted in LIFELIKE, in the essay Curating in Postreality

Above: Bodies on the Blockchain and LIFELIKE are both featured in Right Click Save: The New Digital Art Community, ed. by Alex Estorick

AI Isn’t Choosing Our Artistic Future, We Are, Bulletin of Atomic Scientists, 2022

Bodies on the Blockchain, Right Click Save, 2022

Midnight in the Timegarden, Flash Art, 2022

Mary Flanagan: Hope is the Thing with Feathers, exhibition book for Nancy Littlejohn Gallery

Savannah Spirit, Introductory essay, Quiet Lunch, 2023

Morehshin Allahyari: She Who Sees the Unknown: The Left Witness and the Right Witness, Interview. The Believer, June / July 2020

An open exhibition catalog entitled Swoon, The Subject is the System: Portraits of a Regenerative Future, by Katie Peyton Hofstadter

“The Subject is the System: Portraits of a Regenerative Culture.” Catalog essay for Swoon: The Heart Lives Through the Hands. Contemporary Craft, Pittsburgh, 2020

The Gatekeepers. Catalog Essay for Beyond Boundaries, Gallery Korea, New York, 2020

Isolation Migration, The Believer, March 2020

The Sky Is Blue With Lies: An Interview with John Reed, The Believer, April 2019

Digital Sunrise: God, Virtual Reality, and Death, Pank Magazine

Arts Blogger at The Best American Poetry, 2018-2019

Three new short plays featured in 50 Ways… produced by Yana Landowne + Samir Bita)
Named a Best of Fringe pick by DC Theater Scene

Sending Out the Signal: Swoon Interviewed by Katie Peyton, Bomb Magazine (online), 2018

The Intern is Dead, Gargoyle #61, 2014

An Interview with the Jeff Koons Bunny. The Shadow #56, June 2014

What We Take With Us: An Interview with Amy Kurzweil. Hobart, May 2014

Colette Lumiere, Bomb Magazine (online), 2013